Sunday, December 31, 2006

Because they are in irreplaceable source of knowledge.

I swatched out several yarns that I had here in stash, trying out possibilities for my 1941 vest. Everything ranging from some navy/maroon ragg style Bartlett worsted (circa 1998) to a recent find from Webs - a tweedy garnet. The Bartlett is really an Aran or light bulky. I achieved gauge, but the sample stood up like cardboard. The Webs 2/4 Highland Tweed purports to be Aran to worsted in gauge (4.5 to 5 spi) but it knit up like a DK. Again I achieved gauge, but the sample looked meshy and sparse. I suspect that it would have bloomed a bit after I washed it, but in an added complication, TRM mentioned that he liked the color but hated the tweedy flecks. So it was off to my local yarn shop on a fishing expedition.

I went to Wild & Woolly in Lexington, MA - my knitting home-away-from-home. Now Jackie the owner is a knitter with decades more knitting experience than I have. She gave me an important bit of advice. When looking over patterns in these older booklets, don't go by the gauge any yardage deductions based on just one project. Look at all the projects in the book that call for the same yarn. You'll probably notice a discrepancy among them. So we did. A couple of the other patterns look closer to true worsted gauge than the light worsted/DK thoughts I had when I walked into the shop. To top it off she also remembers the Minerva (and later Columbia-Minerva) yarn specified. She steered me to Cascade 220 - which is slightly denser and less lofty than the Minerva but of similar gauge. The more airy nature of the Minerva is what threw me off, providing the extra yardage and making the stuff seem like a DK . So I bought some Cascade in a regal heathered burgundy and took it home.

I swatched it up and it was perfect. Spot on for gauge, with a soft hand and drape. So offering up thanks for the entire Wild & Woolly family I set to work on my vest project.

I measured the target recipient, plus one of his favorite store-bought vests that fits well. Then we sat down together and looked at the original pattern, pointing out fit and finish items that made it especially appealing, and other things that we might want to forgo. For example, TRM likes the depth of the V-neck, and the proportions of the waist and armhole/neckline ribbing, but is less enamored of the short length, tailored at the time to compliment pants worn with the higher, more formal waistline of the 1940s.

Then I looked at the pattern. I reproduce it here in its entirety, under fair use because I am using it to illustrate how to go about both reading an unusually formatted historical pattern, and how to go about redacting it for modern use.


minervapatt-2.jpg

You'll notice that the write-up is much shorter than a modern pattern. There's only one size given, plus a schematic with some notations on it and cursory working notes.

This pattern if translated straight would rely heavily on the schematic. The boxes represent a 1-inch square grid. Instructions on how to interpret notes like B-8 an D-1-7 are elsewhere in the pattern leaflet. Here's what I start with - my interpretation of the original directions, plus a bit of editorializing.

"Eckhart" - Man's 1941 Garter Stitch Vest from Minerva Hand Knits for Men in the Service, Vol. 62, size 30

Gauge in garter stitch: 4.5 st = 1 inch, 10 rows (5 garter ridges) = 1 inch

Back: Cast on 88 stitches. Work 3" in K2,P2 rib. Then switch to garter stitch. Work even until piece measures 13 inches from bottom edge. Bind off 8 at the beginning of the next two rows. Then decrease one stitch at the right and left edge of the work every four rows. Do this edge reduction seven times total. At the end of the armhole decreases you will have 58 stitches. Work these 58 stitches even in garter stitch until the piece measures 11 inches from the under-arm bind off row and you end ready to work a right side row. Form shoulders by binding off four stitches at the beginning of the next four rows, then bind off three stitches at the beginning of the next six rows. Bind off remaining 24 stitches to form center back neck.

Front: Work as for back EXCEPT place a marker between stitch #44 and 45. On a right-side row when work measures approximately 15.5 inches from the bottom edge, knit to two stitches before the marker, K2tog. Then attaching a second ball of yarn, and starting with a SSK, work the rest of the row. Note that this happens BEFORE you finish making the underarm decreases, so watch for it.

You now have each side of the top front on either side of the V opening being completed from its own ball of yarn. From this point on you'll be making paired decreases on either side of the opening on some right side rows, using a K2tog when indicated on the side that ends at the center, and a SSK on the side that begins at the center. Work three of these decrease pairs spaced approximately 1/2 inch apart (you'll probably be doing the decreases every 4 rows). Then work seven of these decrease pairs spaced 1 inch apart (probably every 10th row). You will finish these neckline-defining decreases at about the same point where you need to commence the shoulder decreases. Finish the shoulders as directed for the back.

Finishing: Seam shoulders together. Starting at a shoulder seam, pick up 132 stitches around the neckline, taking care to space them evenly, and work in K2, P2 ribbing. Count off the stitches to make sure that the center two that will be in the point of the V end up as a K2 pair, and place a marker between them. Work the mitered join at the center front point of the V-neck by knitting the last two stitches just before the marker, and working a SSK immediately after the marker - do this EVERY OTHER row until the ribbing measures 3/4 of an inch deep. Bind off. Sew side seams. Pick up 144 stitches around each armhole and work even in K2, P2 rib until ribbing measures 3/4 of an inch deep. Bind off and finish ends. If you wish, reinforce shoulder area with a strip of seam binding, sewn by hand to the inside of the sweater to cover the shoulder seams.

O.K. Clear as mud? Now for the kicker. I need to work a size 46, slightly longer, with a bit of a center back neck scoop out (he doesn't like the straight across the back of the neck bind-off). Plus I want to tinker with the depth of the V. How I do that alchemy is next.

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Sunday, December 31, 2006 12:27:09 AM (GMT Standard Time, UTC+00:00)  #    Comments [3]  | 
Thursday, December 28, 2006

Another historical knitting project is in the works. Yes, I'm also still working on the leaf pullover and am almost finished with the back. But rare special requests from wiseNeedle's technical wizard take priority. The Resident Male (TRM) has requested a particular vest from the 1941s vintage Minerva troop knitting folio he gave to me for the holiday.

minerva.jpg

minervavest.jpg

This is a very plain garter stitch vest. It has slightly set in armholes, and K2, P2 ribbing. He'd like the V-neck opening to be a bit lower, but other than that, he likes the slim fit and style.

Now knitting this ultra simple thing will not be a straightforward as one might think. For starters, the leaflet offers up only size 40, and TRM is a 46. On top of that, the pattern is particularly sketchy, and not in a format used widely today. (More on this tomorrow). I could just look at the picture and then come up with something from scratch, fobbing it off as the real thing, but that wouldn't be as much fun as trying to redact the original, keeping as close as possible to the 1941 instructions.

Let's begin by looking at the materials specified - Athena Noninflammable Needles size 6 and 7, plus Minerva Quality Knitting Worsted - 6 skeins. I am delighted to report that this pattern DOES include specific gauge - 4.5 stitches = 1 inch, 10 rows = 1 inch. Gauge is not always included in these older patterns, and having it makes a huge difference.

The size 6 and 7 needles are about right for the stated gauge and are probably comparable to modern US 6 and 7, but an exact match is irrelevant. I need to use the needles I need to achieve the stated gauge. The sizes suggested in any pattern (not just this historical one) are supposed to be starting points for your own swatching purposes, not absolute dictates. It doesn't matter a whit if you actually end up using 4s and 6s or 7s and 9s - so long as you achieve the specified gauge, your garment will fit as the pattern author intended.

Why "noninflammable" in the name of the needles? Prior to the early 1940s time early pre-plastic needles were either Bakelite or cellulose based. Cellulose needles were easy to ignite and burned quite hotly. The Athenas were probably either Bakelite or a new material (possibly nylon based), that melted rather than ignited when exposed to flame.

Now, "Minerva Quality Knitting Worsted - 6 skeins" is a bit more problematic. How much yarn is that? What would be a modern equivalent? How much do I need?

From the look of the picture, it's clear that the yarn is a plain, smooth finish multi-strand yarn. If this pattern was knit in stockinette, I'd guess that it was a heavy worsted yarn, But it's in garter stitch, which enlarges gauge somewhat, so I suspect that the yarn used is lighter than that, perhaps a true worsted with a native stockinette gauge of 5 stitches per inch. Possibly even a DK, with a native stockinette gauge of 5.5 stitches per inch. (True DK might be pushing it, as I'm not sure I can get 4.5spi with garter in DK without the fabric looking limp and loose).

More noodling is needed here. To start, I have a rough idea that a man's sleeveless vest in size 40 should take approximately 900-1000 yards of worsted weight yarn. I base this on my Nancy's Knit Knacks yardage estimator card, plus confirmation from Sweater Wizard, and from personal experience. If the original pattern called for 6 skeins, that would mean each skein would be around 150-166 yards. My absolute textbook standards for worsted weight yarns are Brunswick Germantown and Cascade 220. Both clock in at 220 yards per 100g (3.5 oz) or 110 per 50 g (1.75 oz). By contrast, DK weight smooth finish classic Rowan yarns tend to be between 240 and 255 yards for 100g (120 to 127 for 50g).

A web search on "Minerva Knitting Worsted" brings up an article on translating a 1934 vintage pattern, which calls out a yardage of 152 yards for 1.75 oz. Now 152 x 6 = 912 yards - within the target range, but 152 yards for 1.75oz (50g) sounds much lighter than worsted. I also find Columbia Minerva worsted on the Vintage Knits yardage chart. There it's listed at 280 yards for 4 oz. That works out to 245 yards for 100g (3.5 oz), or 122.5 yards for 1.75 oz. Still more than Cascade/Germantown's 110 and closer to DK than I expected when I started looking.

So to sum up my yarn weight findings, I'm now leaning to the light worsted/DK end of available choices, but without truly solid confirmation. Obviously intensive swatching is the next step. I want to make this vest out of stash-aged yarn. I've got a couple of choices on hand which I will detail in the next post.

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Thursday, December 28, 2006 5:02:03 PM (GMT Standard Time, UTC+00:00)  #    Comments [0]  | 
Wednesday, December 27, 2006

My forager's hat is finished - a nice big modified stocking cap with a blunt end and a double-thick self-lined brim (no ribbing). The only thing left to do is to find out if my re-enactor pal wants the optional big honking tassel at the top or not. Here you see it modeled by Smaller Daughter. This is really an adult size hat. It's not stretched at all on her head.

forager-3.jpg

I used a very dense deep teal hand-spun yarn 100% wool yarn. I purchased it from an outside vendor at a local spring farm festival held at Drumlin Farm in Concord, MA. This yarn had no name, and the spinner (selling her own products) didn't include a card with the sale. The gold is a fragment of another single of similar weight. I know that the gold is Merino, but I don't know the fleece type of the teal, but it's scratchier than the gold (but not too much so to limit wearing).

My yarn has quite a bit of slubbing, and looks like the color was produced by aggressively combing together black and teal dyed fibers prior to spinning (some of the slubs are clearly one or the other color, others are blended). It's not bad, but it's not uniformly good, either. The staple is short and the twist is uneven. As a result it breaks easily. The good news is that it also splices easily. In terms of weight, it counts out to 15-16 wraps per inch, which lands it in between fingering and sport in weight.

forager-4.jpg

forager-5.jpg

You could use a lofty sport, knit down to gauge, or a very dense fingering - something thicker than a standard sock yarn though. I think the Regia and Socka style European sock yarns would be too thin for this. My hat weighs in at about 90 grams, which is about right as I used all of one 50g skein plus a bit more than half of a second. I haven't made a tassel yet so I can't estimate how much more yarn would be needed for one.

If you are making a Voyageur's hat - they were most often deep red. Liberty caps were most often red or blue. Sometimes liberty caps had patriotic mottoes knit into the brim area. "Don't Tread on Me" would work. An aside - Older Daughter tells me that people wanting to cosplay Link from Legend of Zelda would also want one of these hats, but in green and with a bit more of a pointed rather than rounded end.

This patten is a transcription of my working notes. I haven't test-knit a second item from them, so mistakes are certainly possible.

Voyageur's Hat/Liberty Cap In the Style of the Mid-1700s

forager-6.jpg

Materials:

  • Roughly 90 grams of a heavy fingering/light sport weight yarn, with a recommended label gauge of 6.5-7 stitches per inch (this does not include any yarn for a tassel)
  • Waste string for provisional cast-on
  • Double pointed or circular needles - US#0 (2mm)
  • Extra circular or double pointed needle to hold stitches while fusing the brim US #0 (2mm) or smaller
  • Tapestry needle for ending off
  • Five stitch markers
  • Optional: A graph of a motto or design that is no more than 30 rows tall
  • Optional: A 4-6 inch long tassel made from the same yarn as the hat, and a small holed button (not a shank button) to sew it onto on the hat's inside as a reinforcement.

Gauge and Dimensions:

  • Taken over stockinette on US #0 (2mm) needles - 6.75 stitches and 9.5 rows per inch
  • Finished hat will fit most adults. It's 21 inches across the bottom opening (stretching to fit easily on a 23 inch head). It measures roughly 17.25 inches from brim edge to top.

Using a provisional cast-on, cast on 130 stitches. Distribute on DPNs or if you're using the two-circ method - onto two circular needles. Knit 32 rounds, then purl two rounds to create a fold line. If you are inserting a pattern follow the optional directions below. If not, skip to the no design instructions.

If inserting an optional graphed colorwork design. Your graph can be worked in stranding or intarsia, but must be no more than 30 rows tall. For best proportions and an authentic look, I suggest single color (plus background) patterns of no more than 20 rows in height. My X is 16 rows tall). In terms of horizontal placement, the hat's brim finish ensures that there is no visible jag where the cast-on round begins, and there is no front or back, so don't agonize about centering the pattern in any one particular spot. Subtract your graph's row count from 32, then divide the result by two. Knit that many rounds before starting your graph. Knit the remainder after the graph is complete. To prepare for the next step, look at your colorwork area. Take a moment to tug any extra loose ends so that the appearance on the front is as neat as possible. If any are particularly unruly, thread them onto a tapestry needle and take a little sewing stitch to secure them. So long as you flick the loose ends right and left so that there is no giant lump of strands in any one spot, you don't need to take the time to end them all off neatly.

If not working an optional graphed colorwork design. Knit 32 rounds.

All knitters. At this point you are ready to fuse the brim. The knitting done before the fold welt will become a self facing, totally encapsulating any loose ends resulting from the optional colorwork. Unzip or unpick your provisional cast-on, threading those stitches onto spare DPNs or a circular needle.

Hold the work folded at the purl welt with the purl sides inside. Then knit around one row, knitting each stitch from your active needles along with its complement on the needle holding the now awakened stitches from the provisional cast on. At the end of this row you will have the same 130 stitches left on your active needles, and the brim will be completely fused to the hat body with all ends neatly out of sight.

Continue knitting in stockinette (all knits) until your hat measures 8 inches when measured from the bottom of the purl welts at the brim's opening. On the last round before you begin the decreases, place a stitch marker every 26 stitches

Decrease rounds:

Round 1: (Knit 24, K2tog)5x - 125 stitches remain (You will be knitting to two stitches before the each stitch marker, then working your K2tog)
Knit 10 rounds
Round 12: (Knit 23, K2tog)5x - 120 stitches remain
Knit 10 rounds
Round 23: (Knit 22, K2tog)5x - 115 stitches remain
Knit 10 rounds
Round 34: (Knit 21, K2tog)5x - 110 stitches remain
Knit 10 rounds
Round 45: (Knit 20, K2tog)5x - 115 stitches remain
Knit 5 rounds
Round 51: (Knit 19, K2tog)5x - 110 stitches remain
Knit 5 rounds
Round 57: (Knit 18, K2tog)5x - 105 stitches remain
Knit 5 rounds
Round 63: (Knit 17, K2tog)5x - 100 stitches remain
Knit 5 rounds
Round 69: (Knit 16, K2tog)5x - 95 stitches remain
Knit 5 rounds
Round 75: (Knit 15, K2tog)5x - 90 stitches remain
Knit 5 rounds
Round 81: (Knit 14, K2tog)5x - 85 stitches remain
Knit 5 rounds
Round 87: (Knit 13, K2tog)5x - 80 stitches remain
Knit 5 rounds
Round 93: (Knit 12, K2tog)5x - 75 stitches remain
Knit 5 rounds
Round 99: (Knit 11, K2tog)5x - 70 stitches remain
Knit 5 rounds
Round 105: (Knit 10, K2tog)5x -65 stitches remain
Knit 5 rounds
Round 111: (Knit 9, K2tog)5x - 60 stitches remain
Knit 5 rounds
Round 117: (Knit 8, K2tog)5x - 55 stitches remain
Knit 2 rounds
Round 110: (Knit 7, K2tog)5x - 50 stitches remain
Knit 2 rounds
Round 113: (K6, K2tog)5x - 45 stitches remain
Knit 2 rounds
Round 116: (K5, K2tog)5x - 40 stitches remain
Knit 2 rounds:
Round 119: (K4, K2tog)5x - 35 stitches remain
Knit 1 round

The rounded point:

Continue working (K1, K2tog) until fewer than 10 stitches remain. Break the yarn leaving a 6 inch tail. Thread tail onto tapestry needle, and use the tapestry needle to gather up all remaining stitches draw-string style, pulling them together and securely ending off on the inside of the hat. Affix any optional tassel to this center point, sewing it on through a small button placed on the hat's inside. This button acts as a reinforcement and decreases the chance of the tassel pulling out or distorting the end to which it is sewn.

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Wednesday, December 27, 2006 4:49:49 PM (GMT Standard Time, UTC+00:00)  #    Comments [1]  | 
Tuesday, December 26, 2006

A happy holiday week to all. I report knitting-related developments here at the world of String. First and foremost, we had a wonderful holiday, full of of friends, immediate family and food. Not necessarily in that order. All cookies and tamales were well received, as were this year's various knitted gifts. I in turn received a couple of knit-related gifts from The Resident Male.

His first gift was a universe of Clover needles and accessories - a trove he scored on eBay.


xmasneedles.jpg

There's one of every size 10-inch and 14-inch straight, plus a good sampling of the larger diameter circs, mostly in the 24 inch length, and a couple of crochet hooks and two kinds of stitch markers. A princely gift, and I am looking forward to using some of them in the very near future (see below).

His second gift was a bit more esoteric - three knitting leaflets from the 1940s, also found on eBay:

xmasbooks.jpg

The two in front are troop knitting compendiums, each containing sweaters and accessories for men. The Minerva one has excellent instructions for several types of shooters mittens and marksman's gloves - some with separate trigger fingers, some with convertible flip-tops. One pattern - a simple garter stitch v-neck vest in worsted weight - has already been bespoken by the giver, and will be knit on my new bamboo needles (see above). Since bidding was hot and heavy on his eBay finds, he asks me to extend apologies to anyone reading here whom he may have inadvertently trampled.

The third booklet contains several very simple but elegant sweaters knit in fingering weight cashmere. While I doubt that I'll be stumbling across fingering weight cashmere in quantity any time soon, the shaping on the patterns is particularly flattering. Also because sizes are small (typical for the era, when an 18 is the equivalent of a modern 10), adjustment to a slightly larger gauge than 8 stitches per inch will enable easy production in larger sizes.

The final item is a bit of a lagniappe. I did most of my stocking-stuffer shopping at American Science & Surplus. I got all manner of inexpensive silly things for the kids - small flashlights, magnifiers, craft supplies, and the like. (For the record, this site is worth keeping an eye on for measuring tools, scales, calipers, scissors, bags and containers of all types - all things that knitters can use.) While I was there I also got myself a full page magnifier and two packs of military type assorted metal shank buttons. Each pack contained 10, of mixed styles and sizes. Two packs are needed to make up a usable quantity of the larger size buttons. Between two I received enough buttons for four sweaters, the majority bearing Soviet star with hammer and sickle motifs. I also got four Canadian Air Cadets buttons. At under $2.00 total for the entire lot, the price can't be beat:


xmasbuttons.jpg

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Tuesday, December 26, 2006 7:57:47 PM (GMT Standard Time, UTC+00:00)  #    Comments [2]  | 
Saturday, December 23, 2006

I've promised a re-enactor pal a forager's cap that he can wear at historical recreation bivouacs with his Revolutionary War era British regiment. He described it as being basically the same shape as a voyageur's hat (the ancestor of the toque) or a liberty cap - a rather blunt stocking cap of medium length related somewhat to the Phrygian cap seen on some statues of Lady Liberty, and omnipresent in the French Revolution (but without a turned brim).

It's tough to see from the various representations of similar hats in paintings and illustrations (mostly created long after-the-fact tiny thumbnails of behatted folk rowing boats, or running around in idealized depictions of famous battles), but I don't think they had a modern ribbed type bottom edge like most of the contemporary knitting patterns show. Some look to have a sturdy split section that was turned up to make a sort of a bottom cuff (the Phrygian cap variants), others look to have plain edges. Some look like they've been fulled or made up from fulled yardage of some sort. Voyageur's hats are usually described as being either red or blue. So are liberty caps. Some liberty caps bore mottoes either knitted in or embroidered on the bottom edge. And finally both hats are mentioned as sometimes, but not always having a large tassel on the end.

Throwing any attempt at historical accuracy beyond this cursory level of attention to the winds, I've taken a middle ground among all of these. I am making a blunt end slightly tapered stocking cap, long enough for the top to flap down to just below the brim when worn. The verdict is still out on the tassel thing. To recap, I've decided that instead of ribbing, I'm going to use a doubled ear band done with a self-facing and turning row of welting. And I'm going to knit an X into the brim (my friend's regiment number). I am also going to use a hand-spun single that's probably heavier and probably coarser than what would have been used back then, but is closer in spirit to a period yarn than is modern factory-made DK or worsted. I am somewhat limited in color choice. As I described before, my red is heathered with too much white for this purpose. Instead I've got a nice, strong tealed blue/green, with the X done in a mustardy gold.

So. Here's what I have so far.

forager-2.jpg

I ripped out what I had before because it was too big.

I began again on US #0s and did a better job of swatching. For my hat to fit snugly at my demonstrated gauge of 6.5 stitches = 1 inch on 2mm (US #0) needles, I cast on 130 stitches. I used a provisional cast-on and knit 32 rounds in stockinette. Then I purled two rounds, and knit another 7 rounds. At this point I was ready to begin my X. I adapted that letter from a graphed alphabet first published in the mid 1500s, but stretched it out a row to improve the proportions. Yes, this is wildly anachronistic, but the letter form was pleasing, and in keeping with type faces current in the mid 1700s. Then I worked my 18 row tall X in stranding. Sort of.

I'm knitting in the round here on two circs. I cheated. To do the first two rounds, I broke off a length of about 8 inches from my ball of gold yarn. Then starting in the center, I worked the first row of my X. I dropped the gold when I was done with that area and continued around. When I got to round two of the pattern, I used the second leg of my length of gold to finish it. I continued in this manner, using broken pieces for every two rows of my X chart.

When my X was done, I worked another 8 rows in stockinette. At that point when the brim was folded along the purl welt, the facing side was the same length as the X-bearing part. So I unzipped my provisional cast-on, and threaded those stitches onto a spare needle. I tidied up the X, and did a couple of anchoring stitches to keep the gold from wiggling loose and to make sure that the ends weren't lumping up in one mass, but I didn't bother doing a full darn-in/finish on them. They are after all going to be completely encapsulated in the double-thick hat brim. Holding the piece folded along the welt, on the next row I knit together one body stitch along with one stitch rescued from my provisional cast-on. When it was done I had my double-thick brim neatly finished, with no pesky ends of my X to peek through.

I'm now at the "make the thing longer until you can't stand doing it any more" stage of lengthening the hat body. I've read several descriptions of how others have formed the top of their caps, plus other speculations. Since 130 isn't a particularly convenient number for evenly staged decreases, I'll be noodling out this part on the fly. Some descriptions of these hats opine that there is no taper at all, just a drawstring finish. But I don't believe that the people who wrote that have ever knit. A drawstring on an untapered tube would not make the graceful shapes I see in the paintings, instead that finish would make something that looked like a gathered pants leg, with a bulby end.

I'll keep posting here as I go along. Comments from anyone with real historical citations to either support or blast to shreds any supposition here are most welcome.

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Saturday, December 23, 2006 8:24:15 PM (GMT Standard Time, UTC+00:00)  #    Comments [2]  | 
Thursday, December 21, 2006

As promised, here is the Pecan Sandies recipe I use. It's a legacy from my Buffalo family - from hand-written notes shared by my mother-in-law Gail, originally attributed to her cousin. I've redacted the recipe a bit to add instructions (the original groups the ingredients in two units and says little more than mix the groups together, roll into balls and bake). This makes a boatload of cookies, with a yield about twice that of most typical cookie recipes. But then again, considering the large families common in Buffalo in the 1960s, I'm not surprised. I have to admit I've never counted exactly how many I get beyond "two boxes full" - probably something in the neighborhood of 6-8 dozen depending on cookie size.

A note on ingredients. I buy a bag of raw, unsalted pecan halves for this at Trader Joes. Then I set one of the kids to sorting the pecans. All the unbroken pretty halves go in one bowl. All the broken ones and pieces go in the second. I usually have enough bits and less attractive pieces to furnish the ground pecans needed in the recipe. The pretty halves are reserved as decoration. I usually have enough of those too. If need be, some cookies go bare. Finishing the cookies with pecan halves is another tinker I've done to the recipe. They were naked in the original.

Other notes: There is no need to sift the flour for this recipe. I use shortening for these rather than butter. Butter makes the cookies richer but much softer. I get a good baking rhythm going on these using two insulated baking sheets, two cooling racks, and four pieces of parchment. If you don't want to use baking parchment, you can lightly grease the cookie sheets. But the parchment is worth the investment in ease in batch manipulation and clean-up, plus speed of production (no washing baking pans between batches). You can substitute store-bought ground pecan meal for the finely chopped pecans. Although I haven't tried it, I suspect you can also make this cookie with almond meal and top with whole almonds, but then you'd have almond sandies...

Sue, I don't know if we've ever met, but thank you for the cookies!

sandies.jpg

Sue Ralicki's Pecan Sandies
Makes roughly 6-8 dozen depending on cookie size

Ingredients:

  • 1 cup granulated sugar
  • 1 cup confectioner's sugar
  • 1 cup shortening
  • 1 cup vegetable oil
  • 2 extra large eggs
  • 1 tsp vanilla
  • 4.5 cups all-purpose flour
  • 1 tsp salt
  • 1 tsp baking soda
  • 1 tsp cream of tartar
  • 1 cup finely chopped pecans, ground fine in a food processor
  • More granulated sugar to roll cookies in prior to baking
  • Pecan halves for garnish

Equipment needed:

  • Two mixing bowls, one for the wet and one for the dry ingredients
  • Flexible stirring spatula or mixing spoon
  • Hand held mixer (or stand mixer if you're lucky enough to have one)
  • Food processor to grind nuts (alternate method - put them in a ziplock plastic bag and beat them into submission with a meat tenderizer mallet, rolling pin or other heavy object)
  • A small bowl or plastic bag to hold the granulated sugar for coating the cookies
  • At least one and preferably two flat baking sheets (not lipped jelly roll pans)
  • At least one and preferably two racks on which to cool the cookies
  • A tin, ziplock bag, or airtight box to store the finished cookies

In a large mixing bowl, using a hand mixer, beat together confectioners sugar, granulated sugar, shortening, and vegetable oil until completely blended. Add eggs and vanilla and beat to incorporate.

In a second bowl, mix together flour, salt, baking soda and cream of tartar. Pour these dry ingredients into sugar/shortening mixture, stir well to incorporate. Add finely chopped pecans and stir again to ensure everything is mixed together. Chill the dough for about an hour.

When ready to bake, preheat oven to 375-degrees. Form the dough into balls slightly smaller than a walnut. Roll the balls in granulated sugar to cover. Place them about two inches apart on a baking sheet lined with baking parchment (the cookies will puff up and spread a bit). If you are garnishing each cookie with pecan halves, dip the nut halves in water and press firmly on top of the sugared dough balls on the cookie sheet to make them stick. The balls may crack a bit around the edge. That's expected.

Bake cookies at 375-degrees for 10-12 minutes until lightly browned. Slide the cookie-laden parchment sheet onto a rack to cool. Cookies can be stacked in an open box once partially cool, and the parchment sheet can be re-used for a subsequent batch. Once fully cool, store in an airtight box or cookie tin.


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Thursday, December 21, 2006 12:30:24 PM (GMT Standard Time, UTC+00:00)  #    Comments [2]  | 
Wednesday, December 20, 2006

Not much knitting here beyond finishing up the gift socks mentioned yesterday, which later today will be given to the target recipient. I also posted a yarn review for the Schoeller/Stahl sock yarn I used.

Moresox-3.jpg

(Please consider leaving reviews of your current yarn yourself, as a holiday present to fellow knitters worldwide).

I can in the spirit of ecumenicism born of our happy, culturally jumbled household recommend two non-knitting related holiday hacks.

First for Hanukkah (and Kwanzaa): Every kid is fascinated by the candles used in menorahs and other holiday candle holders. They burn quickly, and often being close together, act on each other to make strange melting patterns and drips - especially when "encouraged" by the viewer. And every kid who grew up with a menorah in the house will either admit to performing said encouragements, or by virtue of being watched constantly, not having the chance to do what he or she really wanted to do. But not every parent can hover over the candles for the entire time they are lit for eight nights straight.

Now devices are no substitute for parental supervision, but accidents happen in even the most careful household. Place your menorah on a shallow lipped pan (like an inexpensive jellyroll pan or in my case - the liner pan that came with a now defunct toaster oven) and fill the pan with about a quarter inch of water. Drips will fall into the water, and won't weld the menorah to the table or counter top. Should your offspring be too helpful and a candle come loose from its moorings - it will fall harmlessly into your mini-reflecting pool and be extinguished.

Second for Christmas trees: Fighting one's way underneath the lower branches to water the thing is a major pain. I cheat. I float some packing peanuts or crumpled aluminum foil on top of the water so I can see the level while still standing. I also take a tube or pipe (in this house, the unobtrusive brown extension tubes from our upright vacuum cleaner) and wedge them into the tree holder's bucket area. I use some twist-ties to anchor the tube against a branch. The tube remains there as long as the tree is in the house. Then when watering time comes, I take a watering can and pour into the tube until I see my floating markers rise. No bending, no needles in my hair, no overflows.

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Wednesday, December 20, 2006 12:39:18 PM (GMT Standard Time, UTC+00:00)  #    Comments [0]  | 
Tuesday, December 19, 2006

We celebrated Hanukkah this weekend past in our own style. Fried foods are traditional. We did crab cakes. Not traditional by a long shot, but tasty none the less.

The Resident Male, finding himself at the fish shop buying the crab was tempted by some beautiful Bluepoint oysters. So he brought home four as a special grownups-only treat.

So there we were, happily slurping down our excellent oysters, when I thought I found a bit of shell. Not uncommon in oysters opened by amateurs*. But it wasn't shell.

It was a pearl.

A natural pearl. Far from gem grade, but round and pearly enough to qualify, even though you can see a bit of the gravel that inspired it sticking out from one end.

pearl.jpg

I've put my tiny pearl next to a strand of cultured pearls for size comparison. I've joked about finding a pearl, and have known it was remotely possible. But I'd never heard of anyone actually finding one. So what to do with my inferior but extremely lucky pearl? Wear it for luck, of course. I'm thinking of getting a tiny silver charm in the shape of a cage to keep it in.

And I'll probably make the traditional latkes tonight.

As far as knitting goes, I'm trying to zip through the remainder of a pair of socks, plus get a start on the foraging cap (in the style of a Liberty or voyageur's cap) for my re-enactor friend. I've got a nice hand-spun wool fingering weight single, in a color sort of between forest and teal, with a touch of black. I would have preferred a barn red, but the red I had was heathered with too much white and from a distance read "pink." Shown here are my larval beginnings (I'm working on the area that when finished will be the facing in the earband, plus the too-pink yarn. Gauge here is between 5.75 and 6 stitches per inch. I've got 130 on the needles, and am getting a band big enough to fit a 23" circumference head. There's some allowance for stretch and the hat will be double thick at the earband, but I don't want to make it so tight that the wearer will get a headache. You can see just a bit of provisional cast-on peeking out at the bottom of that dark green wiggle:

forager-1.jpg

Other than that, I am finishing up yet another pair of gift socks. This one from Schoeller+Stahl Fortissma Colori/Socka Color, color #5.

Moresox-2.jpg

* We follow the safer Julia Child oyster method (learned while watching her on TV). It involves identifying the hinge and using the pointy end of a bottle opener to dislocate it. Then using a thin, sharp knife - winkling it into the opening made by the unhinging and running it around the oyster inside to scrape it top and bottom from its shell.

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Tuesday, December 19, 2006 12:34:42 PM (GMT Standard Time, UTC+00:00)  #    Comments [2]  | 
Sunday, December 17, 2006

In fact, this year, there are eleven plus fudge. I offer up ocular proof, plus a round-up of baking notes:

cookies-2006.jpg

Starting from the top left and reading each row across

Row 1:

Row 2:

Row 3:

  • Green (and minty) tree-shaped spritz
  • Pecan sandies
  • Lime cookies with lemon sugar dusting (new this year)

Row 4:

I've linked to or highlighted the source of most recipes. Here are some notes:

Fudge - Absolutely the easiest thing to make if you've got a microwave and a microwave safe bowl. We make it last to use up any leftover nuts (and because more than half this household is made up of chocolate fiends). Have a significant other who is mad for chocolate? Impress her/him with this even if your cooking skill so far is limited to opening a jar of peanut butter.

Lemon cutouts with ginger glaze - I start with the basic sugar cut out recipe in Joy, but add lemon zest. I usually frost these with confectioners sugar to which I add lemon juice until it's paint consistency plus colors. This year since I had another cookie that ended up being more lemon than lime, so I went looking for a flavor we hadn't done yet in this year's cookie crop. I thinned the confectioners sugar with ginger juice (grate a thumb-sized piece of ginger onto a paper towel, then squeeze tightly to extract the juice). Wow. A do-again to be sure!

Biscotti - This piece looks good, and they taste wonderful. But I added whole toasted almonds plus the cherries, and the dough proved too crumbly to make many pretty pieces. But we'll enjoy eating the crumbles! I'll keep hunting for a better biscotti-with-stuff-in-it recipe.

Rum balls - This year we did the classic cocoa/vanilla wafers/pecans one. I've tried other combos but I like it the best. This is another no-bake cookie that's difficult to mess up, provided you make it at least a week before you serve it so that the flavors mellow.

Classic peanut butter cookies - In this house we use chunky peanut butter. Heresy, but heresy with more texture.

Oysters - I've gone on about these before. They're one of the three "must haves" along with peanut butter, and chocolate chip.

Green mint trees - I got a last minute call from one of my third-grader's "room moms" alerting me to a party this week and requesting cookies with no nuts in them. While anything produced in my kitchen won't pass muster for a nut allergic kid, there are no allergies in the class. So I made plain spritz trees, starting with the recipe in Joy of Cooking, adding a touch of mint flavoring and the lurid color. It's not as forgiving a spritz recipe as my own Oyster one, and the tree shape isn't one of the more reliable dies, but we got a batch done that will (in its entirety) go to school on Monday, leaving no memories behind other than a lingering ghoulishly green shadow on my fingernails.

Pecan Sandies - A family recipe. I'll share this one in its entirety later this week. My variation on the thing is to add the half-pecan to the top before baking. An easy and tasty cookie from a recipe with a huge yield.

Lime cookies - I started with the King Arthur recipe, but could not find sour salt (citric acid) locally - my favorite baking supply source having closed forever last month. Horrors. Instead I improvised. Lemonheads candy is mostly sugar and citric acid. So I ground up a bag into a powder, and used it to dust the cookies. It worked extremely well - nice and lemony tart. But it did overwhelm the lime-nature of the cookie itself, and I find that the lemonheads dust is more of a humectant than is plain powdered sugar. The cookies need to be stored with air circulation, otherwise they get sticky and lump together. (I'll probably roll them one last time in plain powered sugar before sending them on their way).

Classic chocolate chips - the recipe on the back of the Tollhouse bag, although (another heresy) - I use Ghiardelli semisweet chips instead because I like them better.

Earthquakes - I was introduced to these the year before last by a good pal (Hi, Kathryn!) I'm not using the recipe she sent to me, mostly because I know it's filed here on my desk and saved securely (it was VERY important that I do so). Unfortunately, it's saved so securely that I can't find it and am too ashamed to admit it. So I went looking for something equivalent to the one she sent me. This one is pretty good, but hers was better.

Linzer cookies - Nope, you don't need a fancy set to make these. The set makes it easier and the cookies prettier, but it's not necessary. I happened to have a fluted circle cutter on hand, and a mini leaf cutter. But you could use a water glass to cut the big circle and a top from a screw bottle of water or soda to make the smaller window. This dough is pretty easy to handle for a roll-out. And the taste is fabulous. More work than most, but according to the Resident Male - worth the effort.

Later this week - ultimate holiday luck, the sandies recipe, plus some actual knitting content.





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Sunday, December 17, 2006 8:10:33 PM (GMT Standard Time, UTC+00:00)  #    Comments [2]  | 
Tuesday, December 12, 2006

As promised, here's my knitting progress. First, the leaf pullover:

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As you can barely see, I'm now well past the underarm narrowing, about half-way from that point to the beginning of the neckline. It's still very slow going because of all the 1x1 twists, but I'm very pleased with the effect, in spite of the thing being a bit off gauge and an inch too wide (I like loose fitting sweaters in mid-winter). Although I'm mired in holiday gift knitting right now I'm making a point of NOT putting this down in its entirety. I want to avoid what I now (thanks to blogging) see as a familiar pattern - the sidelining of my October/November project due to gifts leading to its eventual consignment to my Chest of Knitting Horrors (tm).

And in gift knitting, here is a mostly done sock worked in a combo of black Cascade Fixation and raspberry Elann Sock it To Me Collection Esprit. Both yarns are 98.3% cotton, 1.7% elastic. Both are marked with the same yardage (186 yards stretched or 100 yards relaxed), and same gauge 25st and 40 rows = 4 inches or 10 cm. Fixation also carries a crochet gauge of 29 double crochets and 12 rows = 4 inches or 10 cm. As far as I can tell, they look like exactly the same yarn. While the yarn review collection reports Fixation as a worsted based on its initially reported gauge, current labeling moves it down to the sport yarn realm in line with Esprit's labeling. I say neither is spot on, and would call both yarns DKs.

My own gauge using 3mm needles at a reasonable sock gauge is 6.5 stitches and 12 rows = 1 inch. The fabric is markedly stretchy, even more so than a comparable weight wool yarn knit at the same tight gauge. Now I know many people who have reason to avoid wool socks swear by this stuff, but I'm less enchanted. I selected it because I am knitting socks for someone who is both wool sensitive and diabetic, who requested very stretchy cotton socks with a specific wide ankle measurement in comparison to the foot area. I am working my standard toe-up sock on a foot circumference of 48 stitches, moving up to 52 stitches just prior to the short rowed heel, and then 54 stitches immediately after. I add another four stitches at the uppermost black stripe for an ankle part stitch count of 60 stitches. Based on progress so far I predict I'll use one ball of raspberry on each sock, plus most of one ball of black between the two. I bought 4 raspberry and two black, so I'll have enough left over to make another pair, should I so desire.

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But I'm not sure I so desire. Although this sock is suitably uber-stretchy, and the cotton yarn is relatively lofty, I don't like the feel of cotton socks for myself. I find them cold and hard compared to wool, and walking in them feels like walking in a massage sandal studded with thousands of little pebbles. But I don't have problems with wool. If you do, this yarn is an acceptable substitute, although at its weight you're going to end up with nice, thick hiking socks, not fingering weight socks that are wearable in a wider range of shoes.

I was also disappointed in the color of the raspberry bought via the Web from Elann. Standard cautions on buying based on color displayed on a computer monitor apply. Remember - no color monitor displays true color fidelity, and lighting conditions at the photographer's end can add complications (to demonstrate this, call up different photos of the same color card at multiple retailers' websites, and/or view the exact same color card photo on different monitors). On line the stuff looked much deeper, almost wine in hue (which was the color requested by the recipient). In person the raspberry is closer to an unexciting mauve. Color fidelity is another reason I vastly prefer to buy yarn in person rather than by mail order. Color cards help, but since I have so many excellent local yarn source options, and am always looking for new yarns rather than repeaters, I do not buy by mail often enough to invest in them.

My next bit of gift knitting will be a wool foraging cap for a historical re-enactor friend. It's mid to late 1700s or so in target, and will be based on Voyageur's Caps and Liberty Caps. I'll take notes as I create that hat in case the thing catches on with his re-enactor regiment. Second cotton sock will probably take me through Thursday or Friday, so I won't be beginning his hat until later this week.

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Tuesday, December 12, 2006 12:59:42 PM (GMT Standard Time, UTC+00:00)  #    Comments [1]  | 
Monday, December 11, 2006

If you've been reading along here for a while, you might remember I've mentioned this family's holiday cookie fixation before. Ten kinds. Every year. (I do give most away to co-workers and friends rather than let us eat them all ourselves). This year's list is a mix of first time experiments and family favorites. It includes:

  • Chocolate chip cookies - the classic, but made with mini chips and pecans instead of walnuts, slightly smaller than their non-holiday brothers. Mostly from the official Toll House recipe printed each year on the bag of chips (although I do cheat and use non-official chocolate).
  • Peanut butter cookies - my kids would shudder in horror if I left these off the list. Done with crunchy peanut butter, just for fun. Otherwise it's the standard from Joy of Cooking
  • Buffalo rum balls - a version of the classic crushed cookie bourbon ball, but done with rum and cocoa, rolled in cocoa. Our variation comes from a recipe published in the Buffalo, NY evening newspaper some time in the 1960s
  • Sugar cut-outs - the iconic holiday cookie. This year we get to use the Hannukah cookie cutters. Also I put lemon zest in the batter, and mix the icing with lemon juice instead of milk or water
  • Oysters - a family invention. A hazelnut spritz sandwich cookie, filled with dark chocolate ganache
  • Linzer cookies - New this year, from the King Arthur website recipe collection. Mine have little leaf shaped holes, that being the smallest cookie cutter I had on hand to do the center hole.
  • Chocolate crinkles - Also from the King Arthur website. Killer chocolate flavor, fantastic texture. We use extra cocoa instead of espresso powder. My kids call these "Earthquakes" because the white sugar outside flaws and cracks in baking to reveal chocolate fault lines. I made these the first time two years ago from a very similar recipe sent by a friend and they've become favorites. (Hi, Kathryn!)
  • Almond/cherry biscotti - Another new one. I'm cribbing this recipe together from several sources, including a basic biscotti recipe in the always wonderful Baking with Julia book. This is instead of the Panforte which although excellent deserves a break after a two years running appearance
  • Lime cookies - Again a new experiment. This one depends on my finding sour salt (citric acid) locally. My grandmother used it to make her stuffed cabbage and to restore the shine to aluminum pots and pans (boiling them in a bath of water and sour salt). Another King Arthur website find.
  • Pecan sandies - A family recipe, basically a nut-rich shortbread, rolled in granulated sugar and topped with a pecan half. These tend to alternate appearances with Mexican Wedding Cakes in our roster, as both are pecan shortbread type cookies.

I made a lot of progress this weekend past. I've got two cookies left to bake - the biscotti and the lime cookies. Plus I have to fill the oysters and Linzer cookies, and the kids get to ice the cut outs.

In other news, knitting did get done. Here you see the second of my two emergency baby shower gifts blocking on a balloon. The Regia 6-ply Crazy Colors has a relatively long repeat, so it makes wide stripes on both booties and hat. The white sections and broad yellow welting (including the tips of the I-cord bootie laces and hat bow) however are done in another well-aged leftover.

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I also managed to get another couple of inches done on my ribbed leaf pullover, and complete about half a sock of other holiday gift knitting. But more on those tomorrow.

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Monday, December 11, 2006 1:07:28 PM (GMT Standard Time, UTC+00:00)  #    Comments [0]  | 
Thursday, December 07, 2006

I'm with Franklin all the way on this. I've been visited by his Ghost of Christmas Knitting, but that specter couldn't force his way into the room, crowded as it already was by the Ghost of Hastily Announced Baby Shower Knitting, the Ghost of Birthdays Come and Gone Knitting, and the amorphous yet omnipresent-in-December Ghost of Holiday Preparations. The whole spooky committee then voted and consigned me to wherever procrastinators end up, when they remember that they have to be somewhere.

But tamales, cookies (cocoa rum balls and peanut butters both done and lagered away), work, and routine family support tasks aside, I did manage to whack into the baby shower backlog. Which is a good thing because today is the first of several.

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The white with speckles hat and white booties are knit in Sirdar Snuggly Snowflake DK. I believe it's now discontinued, but these are leftovers from a Oat Couture Curlique Coverlet done about six years ago for a niece. It's a spectacular pattern and I had a great time with the blanket, although (like everything else) I did play with it a bit. It's difficult to see in the official cover photo, but the thing is a round blanket, knit in garter stitch paisley-type slices, with the shaping formed by short rows and picking up along an edge. I wouldn't quite call it modular knitting, but if you're familiar with that style, this blanket will be easier for you than for someone who has never done short-rowing before. What I did was notice that the pattern had a logic that would enable the use of two colors. I knit all of the segments radiating from the center in a white-with-speckles Snowflake, and all of the other segments in plain white Snowflake. What I ended up with was subtle, but effective - a center swirled star with speckles surrounded by a plain white field.

One caveat - because I used the loopy Snowflake, my final texture was sort of reminiscent of a supple light terry cloth towel, with less distinct garter ridges than the pattern's own photo. I wish I had pictures of that blanket to share, but I made it BS (Before String), and never got a snap back of the target baby with her present. I'd do the blanket again but not in this yarn. In any case, Snowflake worked just fine for my no-pattern hat and standard issue booties, although again, I've played with the pattern. I did the Ann Kreckel baby bootie, but because this is DK weight, I worked it on a sole of 8 stitches x 16 rows, and adjusted the rest of the pattern accordingly.

The multicolor hat is knit in other stash-dwelling odds and ends. The multi part is clearly Regia Crazy Color, left over from the Crazy Raglan I made for Smallest Daughter. The solid white and yellow used on the welting and stockinette edge are ancient bits of Baruffa/Lane Borgosesia 7 Settembre DK, shamelessly stolen from my mother's stash. Both colors are remnants of a project she did around 1993 or so. 7 Settembre was a particularly nice machine wash textbook-standard DK weight 100% wool that came in a wide range of colors, including brights; now long since discontinued. There will be booties to accompany this no-pattern hat, too.

Moral of today's post - Those half-ball or less odds and ends left over after a project come in handy if you need to do up a quick, small gift; don't throw them away! Think of it as bonus investment in future gifts. Oh, and that holiday knitting thing? Boo, humbug! There are still 9 knitting days to Hanukkah (which thankfully lasts until the 23rd), and 18 knitting days until Christmas.

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Thursday, December 07, 2006 1:02:37 PM (GMT Standard Time, UTC+00:00)  #    Comments [0]  | 
Tuesday, December 05, 2006

Well, three days of the tamale, to be exact.

A good friend of ours hosts a themed Christmas dinner every year. It started out as a "cats and dogs" gathering decades ago, when those who weren't migrating home elsewhere for the holiday pooled resources and cheer. Over the years it has become a second-family type event, deeply enjoyed by all.

This year's theme (announced last year) is Mexican food. And in a moment of ebullience and generosity some time after my third egg nog last year, I promised to make tamales for the 2006 crowd. Since tamales freeze well, I decided to do them this weekend. That way should the batch prove unsuccessful, I'd have plenty of time to recover.

Living here in Massachusetts, finding the ingredients can be a challenge. I've been collecting corn husks for a couple of years now, buying a bag when I can find them. Fresh peppers, or at least a small selection thereof, can be found here now. Dried peppers are tougher although in some neighborhoods they can be found, too. My own stock is hand-imported from New Mexico and Arizona, either by me during business trips, or through the kindness of another good friend in Albuquerque. And masa flour I can get locally in the local natural/organic food supermarket, or in the same neighborhoods where decent peppers can be found.

So this weekend I spent pretty much in the kitchen. Saturday was cooking the meat filling - in my case pork. Sunday was making the flour, stuffing the tamales and steaming them. And Monday after dinner was assembling and steaming the last few that I ran out of time to complete on Sunday.

I don't claim to be an expert in making these (I am after all, a nice Jewish girl from Brooklyn, and Mexican only by marriage). My experience is largely a matter of reverse engineering, trying to make tamales that look, feel, and most of all - taste - as close as possible to the ones my father-in-law's family sends to him. I'm narrowing in on the optimal product now, but I still have a few tricks to learn. Still, these do come out better than any I have had in any Mexican restaurant this side of the Mississippi. So as a mutant multicultural Hannukah/Christmas/Solstice/New Year's present I share the recipe here.

Please note that these tamales are one of the 365 things you should only eat once per year. Luckily the amount of labor involved limits their appearance to special occasions. This recipe makes enough for a large party or family gathering (recommended), or at 4-5 per serving, enough to freeze for several months of tamale-accompanied meals (see caution on those 365 things).

One Gringa's Tamales
Makes about 150-165

Special equipment: A huge mixing bowl. A large steamer pot (big aluminum Chinese steamers, large spaghetti pots with steamer inserts, lobster or crab pots with a colander inside all work). Optional: An electric mixer, an immersion blender. One or more helpers for husk-washing and tamale assembly (this is A LOT of hand work for one person)

Meat filling

  • 6 pounds of pork shoulder or another fatty, stringy cut, hacked into roughly inch thick slices and gobbets. Plus any bones and skin.

  • About a dozen assorted fresh hot peppers of various types (Fresnos, Serranos, Tepins, yellows, Mirabels, Jalapenos, Mirasols, Cayennes, I use a mix of anything I can find - except habaneros which can overwhelm the dish)

  • About 10 dried New Mexico dried chile pepper pods (use dried California Anaheim peppers if you can't find the slightly more flavorful and hotter New Mexican ones)

  • About 15-25 other hotter dried peppers (tiny pequins, cascabels, or arbols, again whatever I can find)

  • 2 medium or one large onion, finely chopped

  • 6 cloves of garlic

  • 1 Tbs salt

  • 1 can of beer (or equivalent in water)

  • More water to cover

  • 1.5-2 tsp dried cumin (comino)

  • 2 tsp dried oregano

Day 1: Clean and de-seed dried peppers, soak in beer to rehydrate for at least a half hour. Char and peel fresh peppers. The delicate might want to wear gloves for both of these operations. Finely chop fresh peppers. Crush or mince garlic. Mince or chop rehydrated peppers, saving juice (I cheat by sticking an immersion blender into my beer or water plus peppers and turning the whole thing into a slurry). Toss meat and bones in large stew pot along with all other ingredients, add water just to cover. Simmer for at least two hours, preferably until mean is falling apart, and all the vegetables have denatured into the broth. Taste if you're brave. The meat should be quite hot because it's the primary flavoring in the tamale, but is used quite sparingly. Set aside to cool, preferably overnight in the fridge. If you've used skin-on shoulder, the broth will set up as gelatin in the fridge. That's good.

Day 2: The fastidious might want to skim the fat off the top of the cooked meat. I will say as shocking as it sounds - don't bother. The biggest enemy of tamales is dryness. This is a recipe that I'd rather have full fat once a year, than as a reduced fat shadow of its true self. While the meat is still cool, remove it from the pan (keep the jelled juice and fat - don't wash the pot yet). Using two forks, shred the meat into strings. Use this opportunity to remove bones and any tough bits. Return meat to the pot and heat it just enough to melt the thickened juice. Pour off as much as is convenient. You'll probably have between 2 and 4 cups of liquid inclusive of both broth and fat. The meat should be moist, but not dripping. Reserve the liquid and set the meat aside. Fridge both until you assemble the tamales.

Dough and Assembly

  • One 5-lb bag of Masa Harina instant corn flour (to be accurate, the bags are actually 4.4 pounds, I make up the difference from the cupboard)

  • 1 pound of lard. Yes lard. This actually makes a tastier and less greasy tamale than the equivalent in vegetable shortening.

  • 1 cup of Crisco shortening (reduce this by half if you are only using one 4.5 pound bag of masa). I use this only because I rarely use lard, and I don't want to buy a second pound and have the remainder sit around forever.

  • 2 Tbs salt

  • The reserved liquid from the meat

  • Water or broth. You'll probably need between 4 and 6 additional cups of liquid, depending on how much you got from your meat and how dry your masa mix is.

  • 2 bags dried corn husks

Start by immersing the corn husks in a pot of warm water to cover (you'll need to weight them down with another pot on top to keep them submerged). Soak for at least two hours. They will almost certainly be a bit dirty, with clumps of dried corn silk in the centers of each bundle. Separate the husk leaves gently, taking care not to split them. Rinse well under running water. Stack them between dishtowels as you clean them. They need to be moist and pliable but not dripping wet when the tamales are assembled.

In a huge bowl (and I mean huge) using an electric mixer, beat the lard and shortening until soft and uniformly creamy. Add all masa and salt and mix by hand until all the fat is incorporated. The dough will look crumbly at this point. Add the liquid from meat - broth, fat and all. Knead to incorporate. Continue adding water (or broth) and kneading by hand until the mixture is just a bit softer than PlayDoh in consistency, sort of like a very stiff peanut butter.

By now your meat should be cool (it's easier to handle cold). Your corn husks should be softened and clean. Your dough should be ready. It's time to assemble. Assembly is where my lack of skill really shows. The tamales I've had made by my Mexican inlaws' families are not fat and floppy masa cakes with an open end, like the packaged ones found at Trader Joes supermarkets. Instead they are stogie-thin, with both ends of the husk neatly tucked away to completely encase the filling. I've never managed to figure out that second end tuck, so I use a small tie to secure each tamale.

Start by taking roughly a cigar-sized lump of masa and squishing or spreading it onto one of the larger corn husks. Aim for an area slightly right of the center line. You want to make a patch about the width of a pack of playing cards that extends from about an inch from the pointy end of the husk to within about an inch of the wide end, and that is about a quarter inch thick.

tamales-2.jpg

Using a fork lay a thin stripe of meat mix down the center of the masa - depending on the size of the corn husk, this can be about a teaspoon or two. Remember - most of the hotness in this recipe is in the meat. The more meat, the hotter the tamale is. Even the hottest meat can be tamed by upping the masa:meat ratio.

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Begin rolling the husk and masa tightly to encase the meat.

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When you've got it mostly enclosed, stop rolling and fold the pointy end of the husk in over the growing roll.

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Continue rolling to make a little log with one end tucked neatly away. Now take one of the substandard corn husks (there will be some too shredded or narrow to be useful). Rip off a thin strip and use it to tie the open end securely closed.

tamales-6.jpg

Put all your tamales into a the upper part of a steamer pot with the folded side down. They should be packed tightly enough to stay upright, but not so tightly that they don't wobble a bit (otherwise they will take longer to steam).

tamales-1.jpg

Set the tamales to steam for about two hours. At the end of two hours pull a sacrificial tamale from the center of the batch. Unwrap it. If it's done the filling will be moist but not sticky, and will separate cleanly from the husk. For the record, my large spaghetti pot/steamer basket can hold about 40 tamales at a time. I steam them as I complete them, and did three batches on Sunday and one Monday night. Unsteamed tamales should be returned to the fridge if they have to wait their turn to be steamed. Cooked tamales should be packed into zip-lock plastic bags or plastic containers and frozen as soon as they are cool enough to handle. It's worth the time to freeze them in meal-sized units rather than all together.

To serve tamales, I thaw them quickly in the microwave or using a steamer. You can serve them just like that. But best of all once they have been thawed is to finish them by baking them in the oven until the husks are dry, or tossing them into a dry skillet or on a griddle to the same ends. Serve as an accompaniment with any Mexican meal, or as a snack or appetizer. Salsa Verde or any other condiment you wish can round out tamales to make a meal.

Enjoy!


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Tuesday, December 05, 2006 12:59:22 PM (GMT Standard Time, UTC+00:00)  #    Comments [3]  | 
Friday, December 01, 2006

A quickie today.

There have been a few times when I've wanted to work I-cord (or a knit edging) onto the perimeter of something, completely encircling it, and ending up by grafting the final live stitches onto the original cast-on row with the hope of creating as near seamless a join as possible. Here's an example:

sofa-1.jpg

To date when I've needed to do this, I've either knit several rows extra of the I-cord "free" prior to beginning to apply it to the edging, or I've used a provisional cast-on with waste yarn for wider knit trims. Working several rows of extra I-cord gives me a snip zone I can cut and then ravel back to produce the cast-on edge live loops I need for grafting. I suppose for narrow trims, I could do a similar thing - knitting several rows of plain garter or stockinette prior to beginning simultaneous application to the thing being trimmed and commencement of my trim pattern. A judicious snip and ravel back will reveal those live loops just as nicely as working sacrificial to-be-cut I-cord does.

But I had a "doh!" moment last night. Why not just cast those few first stitches directly onto a large safety pin or small stitch holder? Unclasp, transfer stitches onto a live needle, and go! To do this, I'd use the simplest of provisional cast-ons, starting out by holding my strand behind my stitch holder and picking one stitch up knitwise, then I'd shunt the yarn to the front of the holder and with my needle tip in back of it, pick up one stitch purlwise, and so on.

Here are seven stitches picked up on a stitch holder:


i-cordtrix2.jpg

It looks kind of like the figure-8 cast-on I favor for toe-up socks:

EXCEPT that by picking up the stitches instead of winding the yarn around the needles I've managed to mount every other stitch with the leading leg in back. Not a problem. I'd work one corrective row of purls back before beginning my edging, and on that row, I'd purl into that back leading leg to eliminate any inadvertently twisted stitches. Or I could reverse the direction of the stitch holder and wind the yarn on exactly the same way as I do for my fig-8 cast-on, eliminating the problem entirely.

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Friday, December 01, 2006 12:45:52 PM (GMT Standard Time, UTC+00:00)  #    Comments [3]  |