Not much knitting progress this week. I picked up the olive tablecloth after my sock urge was sated, continuing to produce a couple more inches of the spiderweb section. Then I moved to the set-up round for the final edging. Unfortunately, I made a mistake early on that I did not catch for four more rounds. At ten zillion stitches per round (most of them incorporated into double decreases separated by double yarn overs), the tinking back has been painfully slow. But I'm finally past it and moving forward again. In the left hand shot below, you see the spiderweb section. In the right hand shot, a bit of the center medallion's outer band motif.

To recap, the center of this tablecloth is from The Knitted Lace Patterns of Christine Duchrow, Volume III, edited by Jules and Kaethe Kliot. The center is on page 72, charted on p76.

As I neared the end of that medallion I decided I wanted to make the cloth bigger. Thumbing through the same book I found the edging on page 56, charted on p. 57. I apologize for not having pix of the edging, but my scanner is playing dead tonight.

In any case, the math worked out, so I decided to merge the two patterns. Success however isn't guaranteed. Although the spiderweb portion is very forgiving in that it will resist ruffling due to the ability of its brides (the horizontal twists of the double YOs) to compress, it may well ruffle when the peacock like terminals of the pattern are added. The trick is to make the spiderweb portion wide enough. It's a clear gamble. Too wide, and the cloth won't lay flat. Too shallow and the piece will ruffle at the edge. Add to that the fact that the pattern as written is for edging a smaller circumference; that I'm working in a fine linen thread - guaranteed not to be a cooperative, stretchy blocker; and that I'm working with all of the stitches jammed onto a way too small circ, making it hard to judge how flat everything is working out. It's an Adventure in Knitting, to be sure.

Even with all of these disaster factors and putting the piece down for several months, I'm having fun with it. I find that I really enjoy noodling out lace. With the end in sight on this one, I'm not sure what I'll do next. Probably something more scripted with a lower chaos factor. One possible candidate is Heirloom Lace's Princess Shawl. I bought the pattern a while ago, before it was revised and expanded. I am considering doing it up in the black laceweight I just bought.

But there are so many other things to knit. I need to work more on my North Truro Counterpane. I would dearly like to finish it off and use it as a summer weight blanket. Someday. And if I don't finish Elder Daughter's Kyoto and dragon skin Rogue, she'll have my head. And there's the Sempre pullover from this past winter. And projects even older languishing in my Chest of Knitting Horrors(tm).

Finally, some folk have written to me to complain that I mis-characterized the gentleman spinner in the last post. Apparently he's Dan of Gnomespun Yarn, and he's got a huge following in the hand spinning/blogging community. I meant no disrespect. On the contrary, I was quite taken with his matter of a fact attitude and general uber cool confidence. So was my photo-taking friend. So all the best to you, Dan. Should our paths ever cross again, I'll be sure to introduce myself and buy you a drink to make amends. Any other complaints about this blog or its contents can be sent to me either care of this website or at my wiseneedle inbox on Ravelry.

Technorati : knitting

As promised courtesy of Friend Merlyn (she of far better photo sense than I ever will have) is our day at the New Hampshire Sheep and Wool Festival. All the photos here are hers, reproduced here by permission.

To start, no sheep festival is complete without its eponymous totem. Here are a couple of girls, still in their fluffy finery, checking us out for illicit snacks.

By contrast, this guy is far more aloof. "Snacks? I disdain the possibility of snacks. Ooh, do I see hot sheep chix in the next stall?"

Which leads us to sheepy strippers.

That's a lot of fuzz. Spinners and dyers were in a special heaven at this show because of all the raw and semi-processed fleece, dyed fleece and roving; spinning gear, and dyeing classes and supplies.

Here's one tough spinner:

"Yo. You wanna talk grist? I'll see your grist and raise you 5."

Actually, there were quite a few men at the show sitting and spinning (or like this guy, wandering around with a drop spindle).

Which takes us on to my main target of opportunity. Yarn. A day of selective yarn acquisition. Selective because there's a mismatch between my imagination - what I can see myself doing with the yarn - and available time/yarn budget dollars.

Here are the three of us, daughters large and small, and (in my first appearance on this website) a small shot of magenta-clad me, poking through the Bartlett booth, then buying some laceweight at a totally different venue, from a vendor whose name I neglected to note:

I've got an eye bending, giant lump of black Jaggerspun 20/2, elder daughter's buying the same thing in screaming russet. (She's thinking of doing a Paisley, but that thought is still quite larval.) Even younger daughter got into the spin of the day, making a felted snake at the American Textile History Museum's booth:

But back to the vendor displays. As I wrote earlier, I was especially taken with the creativity of the Tsock Tsarina patterns, on display at the Holiday Yarn booth. I'm not quite sure how I'd wear or care for these art object socks, but the exuberance and detail of these designs are fantastic. And I enjoyed the opera theme of the entire line:

The colors and abundance of the yarn on display for sale was spectacular. Who wouldn't be inspired by all of this?

And the day had its non-yarn amusements as well. I've decided that alpacas are animals designed by anime artists: those long, snaky necks and staring oversize eyes; the fluffy hairdos, and overly earnest expressions; the stylish baggy-leg look. The only thing missing is gigantic, oversized feet and "!!!"s floating over their heads:

Since plenty of shoots and leaves were on the menu for the day, we got a kick of of this class announcement, too.

Special thanks again to photo documenter Merlyn for providing today's run of eye candy. You can check out the rest of her sheepy shots here.

Technorati : knitting

The offspring, Friend Merlyn and I went to the New Hampshire Sheep and Wool festival this Sunday past. We had a good time, with lots of sheepy things to look at, from fleece on the hoof to finished product. I do however note that Saturday rather than Sunday is probably a better day to go. It looked like some vendors and displays had already packed up and left, and some of the remaining sellers were displaying much depleted stock. There were still sheepdog trials going on when we got there, but the advertised horse show was among the events scratched for the day. Younger Daughter especially got a kick out of what looked to be a children's llama agility course, in which youngsters led their equally young beasts around a set of gentle obstacles. It was hard to pick out who was cuter, the clearly concentrating little kids at one end of the lead ropes, or the gangly legged, long necked fuzzballs at the other.

I did manage to pick up some excellent buys. From left to right, 665 yard/8.3 oz hank of gray sport weight alpaca, from the Times Remembered booth - super soft and probably a bit more yardage than advertised on the label (labels were pre-printed with sport weight target yardage but hanks varied in weight, I picked a more weighty one); two skeins of sock yarn from Dorchester Farms; and an oversize lace weight yarn, one in black of 13.3 oz, probably around 4200 yards from a bargain bin in a booth whose name I neglected to note. At the same spot Elder daughter got some orange/russet lace weight of about 6.5 oz, probably around 2000 yards. Both pods of lace yarn were at a bargain basement prices. I also got some white cotton, close to 30 weight suitable for filet crochet at another stall that was offering mill ends. The two of us together spent less than $75 total on yarn, and garnered enough for winter's worth of scarf, hat, sock and shawl knitting and crocheting for us both (lace is especially cost effective in terms of dollars spent on materials vs. hours of knitting enjoyment). Finally, in the center is the felted snake Younger Daughter made at the Textile Museum's booth.

I almost bought a sock kit from Harmony Yarns/Tsock Tsarina - the sock kits there were the most original thing I saw on display, and I got a big kick out of the opera themes of the design. The Tsarina herself was working on a pair on a theme to match "Daughter of the Regiment." I was tempted by the Firebird and Kitri socks, and admired the sculptural cleverness of the Vintage. The only drawback is that these are socks as art objects. They'd be difficult to add to the daily wear and wash rotation. Still, I took the card (they were out of kits in my mega-flipper size), with the intent to do up one or more of them in the near future. I meant to pick up some more Mostly Merino fingering weight, but although I pegged their display as being on the "zip back after full reconnoiter for purchase" I didn't manage to loop around to them. Which was a shame because they had some beautiful yarn there in the highly saturated colors I prefer.

There were many other vendors of note although my yarn budget would not let me stretch to buy everything I liked. I especially enjoyed seeing all the micro producers in addition to the larger (yet still not big business) concerns like Bartlett Mills and Green Mountain Spinnery. Hand dyed/variegated yarns predominated, with natural off-the-animal colors a close second. Lots of bunny and mohair - sadly both fibers I avoid because they make my hands itch when I try to work with them. Most vendors on Sunday had short quantities of most products, although some of the larger booths did have full sweater lots left. I missed seeing one vendor I thought might be there: Nicks Meadow Farm, a New Hampshire sheep farm/yarn seller I've seen at local Gore Place Sheepshearing festivals. I like their scoured Maine style rustic wool and have used their heavy worsted/Aran weight to good effect in the past.

I did not take any wandering-around or day-out pix (as you can see from my feeble attempts at photography here, cameras are not my forte). However, Friend Merlyn did. I'm hoping to link to some of her shots when they're posted.

Technorati : knitting

I don't know if anyone reading here is within striking range but if you are, the New Hampshire Sheep and Wool Festival is this weekend. I'll be headed up there tomorrow. Not sure if I'll be dressed in something recognizable, but it's a good bet that the offspring (both small and large) and a friend of ours will be wandering the grounds and exhibit tents there for the better part of the day. I'll try to take pix.

Technorati : knitting

As I mentioned a couple of days ago, I've stumbled across a box of unfinished stitching, packed away in a prior move and long unseen.

This piece I can date pretty accurately. I was working on it just before I joined the SCA, in January-February 1975. The counted thread patterns are from a mix of historical sources, mostly pix of antique band samplers, and illustrations in embroidery books. The composition was (of course) my own. The bottom panel was going to sport an Adam holding the apple, and an Eve rolling her eyes. They were going to be surrounded by an assortment of standard fauna and flora. I had just started the snake on the tree when I put my needle down. The brown thread for the tree's trunk is coiled on top of the snake in the center.

My color choices on "Eve Was Framed" weren't very good. I was working from a student's stash of small quantities of floss, and never actually sat down and planned layout or color coordination. "Clashing haphazard" however was a common color set of the time. The faux linen butler's tray cloth I was using as a ground was even weave, but rather coarse, about 24 threads per inch (12 stitches per inch). I stopped working on it when I realized that although many of the patterns had precedents, the work as a whole was a sad mish-mash. I wanted to spend my time doing more historically accurate pieces. So I shelved my subversive sentiment, rather than finishing it to hang on my dorm wall.

I will say that many of these styles and patterns are better known today than they were when I was doing this piece. You can buy pattern leaflets, design books and even full commercial kits today to make reproductions of historical band samplers, and patterns from period pieces have informed the work of many contemporary stitching designers. But back in '75 there were very few people doing this type of stitching. And certainly even fewer using it to make trite political statements.

Technorati : embroidery

Another week of low inspiration here. I'm half way through the brown/tan/ecru entrelac socks. They're working up nicely, but as I mentioned last week, the yarn has had lots of knots in it, one or two interrupting the color progression, but most clearly knotted before the stuff was dyed. I'm not pleased and will consider greatly before buying Berroco Sock again, even though I like its other properties that are so similar to more expensive European label sock yarns.

I've also picked up my olive tablecloth again. Rounds are still interminable, and nothing much interesting has happened since I put it aside last year. I'm still in the spiderweb section, with at least eight more rows of that two-row pattern before I have enough width to consider moving on to the final design element. I share my last olive picture again. The piece now looks the same, except the spiderweb around the outer edge is now about twice as deep.

And finally, in yet another traditional blurry String picture, I show off a partially completed embroidery. This one is a true sampler - a piece that exits only to try out random counted patterns. I had no particular goal in stitching it, it wasn't intended to be displayed and remained a work in progress. The super long repeat in maroon shown separately is one of the design candidates for my curtain project mentioned here before. That work is still in the larval planning stages, mostly pending finding an affordable close to even weave linen or linen look alike.

Gauge on this sampler is approximately 15 stitches per inch on 30 count linen, in DMC Danish Flower Thread. Stitches used are cross stitch (green at top left), double running (grapes down center of piece and the two-tone framed flowers bit), and long-armed cross stitch (the extra long repeat). At this gauge the red repeat is just under 3.25 inches wide. To make my curtains less of an aeons project and to achieve the heft I want for my curtains, I'm looking for a plain weave even weave of about 12-15 threads per inch. That would make my stitched ribbon about six inches wide. Considering that I would need four panels to cover my windows, each 71 inches long x 35 inches wide, the six inch strip width would be in proportion to the rest of the project. But I haven't found the linen yet, and certainly haven't had the time to start, so my embroidered curtains remain a mental exercise for now.

Graphs for all of the patterns on this piece except for the small bans of field filling squaring out the area immediately to the left of the frame flowers can be found in The New Carolingian Modelbook. DMC DFT is now discontinued, which is one of the reasons why my play sampler ended up in my Chest of Knitting Horrors(tm).

Technorati : embroidery, knitting